i just dont wanna talk about it.
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my name is alexa. i like black coffee, tattoos, the beach, cheeseburgers, cities, sleep, art, neo-surrealism, sex and bunnies. i'm 19. hi.

University of Michigan '18

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"Some are born with busts, some are born with butts, but whatever makes you feel confident and like loving yourself more, be proud. I’m all for it."

"Some are born with busts, some are born with butts, but whatever makes you feel confident and like loving yourself more, be proud. I’m all for it."

"Some are born with busts, some are born with butts, but whatever makes you feel confident and like loving yourself more, be proud. I’m all for it."

"Some are born with busts, some are born with butts, but whatever makes you feel confident and like loving yourself more, be proud. I’m all for it."

"Some are born with busts, some are born with butts, but whatever makes you feel confident and like loving yourself more, be proud. I’m all for it."

dirtylittlestylewhoreedirtylittlestylewhoreehttp://dirtylittlestylewhoree.tumblr.com/post/100465877764/some-are-born-with-busts-some-are-born-withhttp://missyperegrym.tumblr.com/post/97325649040/some-are-born-with-busts-some-are-born-with
insanity-and-vanity:

"Nothing exceeds like excess."
Scarface (1983)

insanity-and-vanity:

"Nothing exceeds like excess."

Scarface (1983)

insanity-and-vanitySomewhere Between Psychotic & Iconichttp://insanity-and-vanity.tumblr.com/post/100466043553/insanity-and-vanity-nothing-exceeds-like
deathnoteofloveEV. 魂http://deathnoteoflove.tumblr.com/post/100466186127http://x-g0ddess.tumblr.com/post/85971778992/the-weeknd
nail-swag:

New nails while hanging around on set today… Nail helmet by @fangophilia! #aluminumfoilnails #nailswag #nails #nailart #nailartclub #swag #LA

nail-swag:

New nails while hanging around on set today… Nail helmet by @fangophilia! #aluminumfoilnails #nailswag #nails #nailart #nailartclub #swag #LA

nail-swagNAIL SWAGhttp://nail-swag.com/post/100466375074/new-nails-while-hanging-around-on-set-today-nail
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.
asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 
 Photo by Jason Havneraa
Per Kristian Nygård, Not Red But Green, at No Place Gallery
NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.

asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 

Photo by Jason Havneraa

Per Kristian Nygård, Not Red But Green, at No Place Gallery

NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.

lloalloahttp://lloa.tumblr.com/post/100466558106/asylum-art-noplace-tidens-krav-and-uks-inhttp://asylum-art.tumblr.com/post/98297110310
faceszgirlhttp://facesz.tumblr.com/post/100423474700http://fixatedonfashion.tumblr.com/post/97319868655
tinysquids♡ Bitch and 1/2♡http://tinysquids.tumblr.com/post/100423565907
complajn:

Closer (2004)complajn:

Closer (2004)

complajn:

Closer (2004)

tinysquids♡ Bitch and 1/2♡http://tinysquids.tumblr.com/post/100423587182/complajn-closer-2004http://complajn.tumblr.com/post/97167861366/closer-2004

jaclcfrost:

i want

  • affection 

i have absolutely no idea what to do with and am pretty much uncomfortable with and confused by

  • affection
fascinationstreettfascination streethttp://fascinationstreett.tumblr.com/post/100423625537/jaclcfrost-i-want-affection-i-havehttp://jackfrost.co.vu/post/95978870528/i-want-affection-i-have-absolutely-no-idea-what
floralls:

(by Sarah Ryhanen)
floralls:

(by Sarah Ryhanen)
floralls:

(by Sarah Ryhanen)
floralls:

(by Sarah Ryhanen)
floralls:

(by Sarah Ryhanen)
girlswillbeboys~msmr~http://girlswillbeboys.tumblr.com/post/100423788305/floralls-by-sarah-ryhanenhttp://floralls.tumblr.com/post/97482334424/by-sarah-ryhanen
girlswillbeboys~msmr~http://girlswillbeboys.tumblr.com/post/100423804045http://ohaymrdth.tumblr.com/post/65660177299

SIDE BURN「SUPER HAIR CATALOG」

SIDE BURN「SUPER HAIR CATALOG」

SIDE BURN「SUPER HAIR CATALOG」

SIDE BURN「SUPER HAIR CATALOG」

SIDE BURN「SUPER HAIR CATALOG」

girlswillbeboys~msmr~http://girlswillbeboys.tumblr.com/post/100423998600/side-burn-super-hair-cataloghttp://lovereply.tumblr.com/post/100406250781/side-burn-super-hair-catalog
tinysquids♡ Bitch and 1/2♡http://tinysquids.tumblr.com/post/100424018207http://christiescloset.tumblr.com/post/92469990803/mondays-got-me-feelin-creative
flooorentinaMrs. Lonelyhttp://flooorentina.tumblr.com/post/100406777358/queued-bacause-roadtrippinhttp://www.taylranne.com/post/96030355995/unwind
faceszgirlhttp://facesz.tumblr.com/post/100406795880http://czudej.co/post/85536120055/everything-falls-faster-than-an-anvil-curated-by
theme